Purgatory is other people

My quick review of Staged

Fiction will almost certainly have a lot to say about coronavirus: the initial cover-up in Wuhan is ripe for a Chernobyl style docu-drama, the frenetic scenes on hospital wards will be fantastic fodder for medical procedurals, odd couples forced to quarantine together will doubtless become a rom-com staple, and a legally enforceable “stay at home” orders will add believability to horror films which would otherwise be undermined by asking the question “why don’t they just leave?”

Staged depicts a very different version of the crisis. Indeed, it captures a reality many of us have experienced but seems almost impossible to present in an entertaining way. Let’s call it the paradox of the pandemic: the defining characteristic of day-to-do life amidst the most dramatic events of a lifetime has, in the main, been dullness.

The show – told in 15-minute episodes almost entirely filmed in the ensemble’s homes – follows the cast of a play mothballed due to the virus. Their director tries to encourage his two leads – Michael Sheen and David Tennant playing fictionalised versions of themselves – to continue rehearsing over Zoom. Like most videocalls for work it does not go well.

That the central characters are all comfortably off creative types means that they are almost entirely shielded from the true horror of the pandemic. All they need to do to is to stay in their nice homes. However, the very simplicity of that requirement starts to become a problem. They are high achievers who have grown used to the adulation of audiences. Therefore, they don’t really know how to cope when an endless series of videocalls and chores begins to substitute for having a real purpose. That leaves them bored, aimless and confused.

What writer/director Simon Evans – who also stars as writer/director Simon Evans – grasps is that this frustration can be mined for comic tension. That the characters are so filled with anxious energy yet have nothing to do with it, gives a natural reason for them to become irritable and do silly things that wind each other up. And with a cast as charismatic as Staged has, it is great fun to watch them bicker.

At the same time it is deeply relatable. It helps in this regard that the show was entirely written and produced whilst still under lockdown. It’s almost entirely set in the characters homes and is mostly dramatised video calls. This gives it an authenticity which will likely be hard to recapture later on. We should treasure it as a record of the absurdity millions of us have endured amidst tragedy. Well  for that and Judi Dench telling Tenant and Sheen to “stop fucking about!”

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